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Xiaolu Guo (1973– ) is a British-Chinese novelist, filmmaker and essayist.
Guo draws from both Chinese folklore and modern politics to blend a lyrical tone with the investigation of social values in contemporary China and Britain.
«A wounded body is when, after leaving a man you've lived with for three years, you curl up on your side of the bed as if there's still somebody there. Habit keeps you giving space to another body, where there is only emptiness.
iaolu Guo doesn’t hide her qualms about Western publishing.
Its young Chinese narrator has a limited command of English and, as the story opens, she’s on her way to London where she’ll live while the language of her narration matures—sometimes quite awkwardly.
The conceit risks coming off as gimmicky, but the novel is carried by the authenticity of its voice; there are familiar tropes like dropped articles and missing auxiliary verbs, but also the kind of chance poetry produced by being new to a language—“massive sky,” “walking down to the night street.” Guernica Guernica: You’ve said that as a teenager you “didn’t read Confucius or haiku—[you] read Marguerite Duras and Jean Genet.” Can you talk about how you were introduced to French literature and other foreign art?