The Struggle To Be An All American Girl Essay

The Struggle To Be An All American Girl Essay-4
(As a related side note: it’s easier, I suspect, to have Asian faces in a world that doesn’t resemble our own reality.) Granted, blatantly offensive casting still happens: are perfect examples of just how entrenched these stereotypes are.However, in its effort to avoid offending, the liberal sensibility has swung in the other direction and mostly sidestepped talking about race (the same fortunately cannot be said for the new fall crop of black and Latino shows, including , which lasted all of six episodes before getting canned.From her standup material you knew Margaret Cho as the potty-mouthed broad with an almost too-shrill voice.

Network logic meant that the only way the Kims could be legible to a white audience was to make them generically Asian, as opposed to specifically Korean.Identification for the viewer — Asian-American or not — would be a challenge, because the characters of publicized itself as based on Margaret Cho’s stand-up comedy, but that was mostly just a gloss.Cho was the youngest representative of a wave of female comediennes turned network stars in that era, including Brett Butler, Ellen De Generes, and Roseanne Barr.“To not even talk about [race] is a really new and, I think, mature way to look at it,” John Cho said about his role.When Asianness has been an impediment to success, it’s understandably refreshing to be cast without regards to race.She felt the heavy symbolism the show carried, that its success as the first Asian-American family sitcom could change perceptions around whether an Asian actor could be bankable.During her comedy tour, “I’m the One that I Want” a few years later, she remembered calling her mom on Mother’s Day to tell her that ABC had picked up the show: “She didn’t want me to be a standup comedian because she experienced so much racism and hatred coming to America in the ’60s that she just could not believe that this country would accept her child,” she said.There were setups that hinted at real possibility, at acknowledging the fact that everyone else in the family dealt with particularly American experiences — as when their dad Benny (Clyde Kusatsu) struggled with the family business, a bookstore, or when Grandma Kim stapled herself to the chair to flip between Oprah and her Korean soaps.But the show misunderstood the ways in which the immigrant experience — refashioning ingredients in the kitchen, tangling with bureaucracy, requiring your child as interpreters — is also an inherently American one.“So the fact that I can be successful means to her on a very fundamental level that America somehow works and that things are getting better in her lifetime.” It was this belief in America that was the most American thing about her.It drove her to do what the network wanted, one of which was to lose weight.


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